Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by Murphish
Great high energy openers followed by a funky wolfman's provided a great jumping off point for the band's triumphant return to MSG. I've been defending Ocelot as a personal favorite recently against the growls of some phriends, but I can't say I disagree with their assertion that the song is stretched somewhat. I personally like the whining guitar solo at its inception but dont think they should escalate it to an arena rock level as they seem to do relentlessly these days. Crowd uninvolved in brian & robert, poor heart lacked a trey solo but he nailed the final riff. Sample was broken when trey missed a chord, but they made up for it with a gift of Peaches en Regalia...hadn't been played in over a decade!