Interesting to note on this SOAMelt, after hearing it in crystal clear quality on Livebait 7, I believe that the member of the band who picks up the slack and makes it interesting once Trey spaces out is actually Mike. He uses the effect that is evident in the 11-22-97 Hood intro, Tube Jam from Dayton, among others...it's a whammy pedal on some sort of variation setting - someone with more technological knowledge can explain it more in detail - but it creates a high pitched sound over the regular bass, which you can still hear being played. The term for this escapes me at the moment. Either way, I just wanted to say that this is Mike's House all the way.