Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by RovingReporter
My answer: I don't have any clue and neither does the band. DWD sounds like a meandering wave of off-key music, yet somehow it keeps me listening even though I hate parts of it.
The Buried Alive is fun and the foggy, damp and odd tone Trey uses, while it doesn't make up for the sloppiness, adds a depth to the tune.
I could write a 2,000-word essay on the show, but I won't. Blah, blah, blah ... Trey's voice is off, the band isn't tight. But if you listen real closely you will hear a band digging deep into those songs. You cannot hit a homerun without a few swings and misses, right?