Trey was really fascinated with an octave-down effect produced by his Digitech Whammy II unit during 2.0 (and to some extent still is.) I think it's detrimental to his strong suits as a lead guitarist, and that it is overused especially in this show, where Simple, Gotta Jibboo, and Tweezer (3 out of the 4 ~20-min. jams in the show) all get kind of muddied by its murky tones. The jams are adventurous, but Seven Below is probably the most successful and that only because of the song's relative novelty at the time. Simple is pretty but colours pretty much inside the lines, Jibboo has two distinct peaks but they meander quite a bit between them, and Tweezer is just so 2.0-sludgy with that aforementioned guitar tone that it's hard to distinguish any particular arc to the jam. I still rate this show highly on merit of the tendency towards 4 20-min. jams, but I'm very glad this Whammy thing doesn't show up as often anymore as it did throughout 2.0.