Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by TooManyUrkels
Set 1: Mike's > Gin is all exemplary stuff. They could have just stopped there and I'd have been satisfied. While the downtempo Brother must have been a fun bust-out for those in attendance, I find it a little goofy and awkward on tape, so much so that I'm going to call it the show's low point. YMMV, however.
Set 2: Jams on jams on jams. DWD is top-notch long-form 3.0 jamming, going all sorts of places and modulating feels/tempi/key seemingly at-will. The Steam outro jam is my favorite type of Phish - weird, freaky, boundless, arrhythmic abstraction, and is the biggest highlight to my ears. Farmhouse's outro jam is lovely, airy, and quite pretty, as expected. Antelope is powerful, tense stuff - you can really hear the audience get hyped and impend the big buildup to double-time, which elevates the payoff. The boys are really on-point in this one and summarizes the entire set's thesis.
Easy 5 stars. This show really feels like it should be a 4.6+ rating, since I think it stacks up against 7/25/17 and other heavyweight 3.0 outings.