Fluffhead: always a great opener. This version has an unusual intro jam and the composed sections are played well with only a couple little mishaps here and there. Trey’s solo at the end is great and a little longer than most

Guyute: another long composed song to follow Fluff. The funky part is botched by Trey and Fish but other than that a standard performance

Martian Monster: fun little tune to continue the set

Llama: fast version. Standard

Steam: nice type 1 jam with a heady peak

Poor Heart: 55 show gap. Standard as always but a good treat

Crazy Sometimes: Mike gets another one. Love this song. Standard version

The Horse: Page piano lead instead of Trey guitar

Silent In The Morning: standard

Sleep: 289 show bustout, standard rendition

Drift While You’re Sleeping: Perfect song to follow the previous one and a great set closer

No Men In No Man’s Land: this second set starts with the first type 2 performance of the show. The jam starts with a chill spacey groove with some good Mike action along the way. Trey then turns on the staccato effect and plays around with it for a short time but this would soon give way to a bliss buildup that lasts about two minutes, but dies down with Trey using the watery effect and they dive into a deep mellow space, using various effects with Fish keeping a rhythm in the background. This progresses into a more upbeat jam that quickly gives way to

Dirt: standard

Plasma: starts with the return of the staccato effect from Trey, as they immediately launch into exploratory type 2 territory. Another soft mellow jam emerges which soon segues into

We Are Come To Outlive Our Brains: right as the singing ends, Trey turns on an effect and within seconds finds a segue right back to

Plasma: the exploration continues but Trey quickly finds a way into

Tweezer Reprise: short sandwiched version

The Wedge: standard

Sneakin Sally Through The Alley: this song never misses in the second set. This short but enjoyable type 2 jam contains a funky Mike heavy groove, and they stick with this theme for a few minutes then Trey finds

Run Like An Antelope: the jam starts off quieter and more experimental than usual but stays type 1 and builds to the usual peak. Great performance

More: standard. Wish they waited for it to be the actual closer, it should always be there

Slave To The Traffic Light: standard closing version. Beautiful as always

Rock And Roll: as much as I wish they still took this song out on type 2 journeys, I prefer the encore spot to none at all. This is a rager and is a great ending to a very fun show

Nothing too exciting but as I said, a very fun show. The jamming here is more about segues than length which in this case, is just as good. First set contains some deep cuts, a big bustout, and interesting song choice, so both sets have something unique to offer. This is a 6.5/10 show for me